Showing posts with label Non-site. Show all posts
Showing posts with label Non-site. Show all posts

Wednesday, 24 June 2009

CEC Work Placement - Kerrier District Council, Heartlands Project

My CEC work placement that took place with Kerrier District Council at Camborne was really good. The experience for me worked on many levels and I felt that I learned a huge amount. This was not only actual learning but also to do with experiencing the environment.

The office was a mix of people, engineers to project manager, a department manager and of course landscape architects. The whole group worked in unison and there was an interdependency that existed between them, as much as they hated to admit this. Because the council is in flux, lots of the offices have been moved around, and new alliances have been formed amongst colleagues. So the current situation (of about a year) works to the benefit of all, now stepping just a few yards across the office instead of communicating through endless reams of emails.

On my arrival I was met by Cathy Lowe, Landscape Architect. Cathy quickly took me off to the Heartlands Site, where she gave me a guided tour of the surroundings, explaining the way that the land would have looked when the mines were all working.

The Heartlands site is basically centrally located to all of the mines within Camborne. If you do a mine search of the area on the WHS, you will discover that there are as many as 2000 mine shafts within a five mile radius, many of which were left abandoned and forgotten about only to be later discovered by builders, and terrified walkers.

The picture below shows the vast amount of mines shafts located within Cornwall, all of the yellow dots are mine shafts.


The Robinsons shaft area is home to one of the largest mines in Cornwall with a depth of the shafts being an astounding 735 fathoms or 3000m or 2 ½ miles deep (fathom = 5’9’ feet, traditionally a fathom is used as a sea measurement, but here adopted by the miners as the standard length measurement).

Next to the Robinsons Shaft site there is another mine which sits just about a quarter of a mile away, this mine is called South Crofty, this is the only working mine that exists in Cornwall today. All of the seams of tin have been mined over the hundreds of years that Cornwall played host to the largest mining industry in the world, the only reason that South Crofty remains is that the price of tin has risen in recent years, which makes the job of mining the remaining tin a profitable task.

When I went round Camborne with Cathy she drove up to South Crofty Mine and told me to look at the perimeter wall – to better explain, beneath is a quote taken from a blog; ‘The Unbearable Oddness of Stevyn Colgan’ ( accessed on the 24th June 2009) it is a bit of a cheat but this perfectly describes what I saw.

"The closure (of South Crofty) was marked by some poignant graffiti. There is a story that the local police caught the daubers just as they were adding the final question mark. The officers read the graffiti, sighed sadly, got back in their car and drove slowly away. And what was written? Two lines from the chorus of Cornish Lads, a modern folk song written by local lad Roger Bryant:

‘Cornish lads are fishermen and Cornish lads are miners too, But
when the fish and tine are gone, what are the Cornish boys to do?’


Crofty has just re-opened for business and, as long as the price of tin remains high, has the potential for another 80 years of production. But such is the fragile nature of the industry that I'm not hopeful, sadly. There will always be cheaper labour elsewhere."

The writing was faint on the wall, just about decernable, but the memory no doubt still is strong. There is so much to take in and so many things to think about, the strong roots of the past clashing with needs of the present.

The Heartlands area spans Redruth Pool and Camborne. Big lottery funding of £22 million was won by ‘CPR Regeneration’, (a partnership of Kerrier District Council and South West Regional Development Agency) using this money CPR aim to change the face the area, by creating a series of multi functional spaces, a ‘new’ meeting area with lakes, sculptures and an outdoor theatre, to name some of the changes planned. Intentionally re-presenting the historical identity of Redruth Pool and Camborne back to the people in a way that brings inspiration for the future.

This image shows the area of Camborne, Redruth and Pool, alongside the proposed plans for the Heartlands project, the new designed area will join the three villages.

Saturday, 15 November 2008

Robert Smithson and non-sites

Non-sites and my own thoughts...


This is a piece by Robert Smithson, a Land Artist who worked in the 1960’s – 70’s, his work was a mixture of gallery based projects and also land sculptures, which were collectively called ‘Earthworks’. This piece is called Spiral Hill, and it is very similar looking to the slag heaps found around 'The Eden Project' and St Austell.

Picture of 'Slag Heap's' near St Austell

Robert Smithson married Nancy Holt, also a land artist who famously produced ‘Sun Tunnels’ (1976) in Utah State, this piece recently featured on Channel 4’s “The Sculpture Diaries” (14th Sept 2008.) The tunnels are concrete tubes of a nine foot diameter and eighteen feet long. The tunnels have small holes drilled into them, which apparently align to star constellations and sunsets in the winter and summer solstices.


www.clui.org
see these photos in context, "Sun Tunnels'

Robert Smithson and Nancy Holt were highly acclaimed artists, they were the forerunners of the land art movement in America, with artists such as Robert Morris, Sol Lewitt and Donald Judd. These artists were generally known as minimalists and conceptual artists, often working with ideas to do with perception, society and philosophy stripping ideas back to the minimum and representing these in their sculptures. Their works reflect aspects of current opinion not dissimilar to today’s artists working with provocative social ideas. At the time of Spiral Jetty and Spiral Hill Robert Smithson was making links between industrialisation and land use, for example in an interview with Moria Roth, he describes his own understanding of Non-Sites.

“Non-Sites are the actualisation of the dialectic between the site and the non-site”
page 92 Robert Smithson

Non-sites can be interpreted as areas of land which have no use, due to the fact that they are a throw back of industry – through using land in an industrial way, for example in mining, the wreckage that is left does not lend itself to any kind of renewal. Huge amounts of money and labour would be needed to regenerate areas such as this. Non-sites can also be understood as areas either physical or mental which do not fall into any description bracket, somehow intangible.

Trying to find the links between my ideas and my history has always been quite confusing, but I just remembered a fact, stupidly because it has been staring me in the face for the last however many years. I was brought up in Warwickshire next to the Grand Union Canal, and my father lived in the nearby village of Long Itchington
. En-route between my mum’s home and my father’s home was a village called Stockton, it’s only claim to fame – The Cement Works and Cally Pits. Both of these locations were quarries, The Cement Works, was originally called Nelson Cement Works, then later bought out by Rugby Cement. Cally Pits is in Stockton, and separate from Rugby Cement, but at some point the two could have been connected as they are about 1 mile apart.



Veiw of the lake at Cally Pits, the concrete structure in the middle is part of the old workings of the site - maybe a water tower. Below is a close up image.


These pictures are taken from a photographic website; http://www.geograph.org.uk/photo/40380

View of ‘The Cement Works’ from the ‘Blue Lias’ at Stockton. The chimney in the background is part of the Cement Works and can be seen from miles around. The Cement Works are now being redeveloped into a recycling site which will provide energy to power the nearby Rugby Cement. When looking from the road you can see how big the quarries are, and dotted all around the area for miles are similar flooded quarries, obvilousley a relic from the past.
Having grown up with fields, and as a kid played in the area I am not surprised that the landscape has left some kind of imprint. Where I lived was quite remote so I instead of going and messing around in town I would end up in a field or on the canal with my sisters stepping in ditches - kind of annoying at the time because I did want to be in town, but looking back it was fun.